Three companies decide, and you hold none of them
An item-funded balance is a claim that passes through three separate systems before it becomes anything a reader would call money. This page maps the chain: what each company actually controls, where the object physically sits, and which of the three can stop it.
The four controls, and who holds each
publisher Whether the object may be transferred at all. The inventory layer decides which objects may be sent to another account, which may be listed for sale, and which are locked. It is set by policy rather than by price: an object that cannot move cannot be bought at any number.
publisher How long the freeze lasts. A completed transfer normally starts a clock, and until it expires the object is in the account but not available. That clock is imposed automatically rather than for a reason that concerns the particular trade.
operator What the object is credited at. The wagering account does not use the market price. It uses its own valuation - usually a stated percentage of a reference price, reviewed on the operator’s schedule, and adjustable in its terms.
market What a buyer will pay. Only the marketplace publishes prices: one side is what sellers are asking, the other is what buyers are bidding, and the difference between them is the first thing the object loses.
Operator’s stated credit valuation: 90% of reference → the account is credited 90 units of wagering balance.
Best instant bid in the market at the same moment: 87 units.
So the object is simultaneously worth 100 (an asking price nobody has agreed to pay), 90 (the operator’s credit) and 87 (a firm bid) - and only the bid is an offer to hand over money today.
Where the difference goes: the 10-unit gap between 100 and 90 is the operator’s valuation cut; the 13-unit gap between 100 and 87 is the market’s immediacy discount. Neither is a fee charged to a bank statement, and both are real. Now reverse the sequence: an object worth 90 in credit, withdrawn as an object, is the same object as before - it has not grown. It has only changed which company is holding it.
Why the chain exists at all
It exists because two systems that were never designed to talk to each other do, through a third. The publisher built an inventory and a trading system for cosmetic objects around a game. The operator built a balance that could be funded by something other than a card. A marketplace built a price. The result is a payment method assembled out of parts that are indifferent to each other - which is exactly why the rules that govern a reader’s balance are spread across three documents in three different registers, and why the record matters more here than on any cash desk in this series.
The two asymmetries that decide most arguments
- The valuation is one-sided. The operator decides both the reference price and the percentage it applies to it, and its terms reserve the right to review both. A reader who checks the market and finds a higher number has not found an error; they have found a different valuation method.
- The exit is at the bid, not the listed price. Almost every complaint about "the value of my items" is the gap between what was displayed in a lobby and what a buyer was actually offering. Both numbers are published; only one of them is a purchase.
- Nothing in the chain is a party to your bet. When an object is credited and wagered, the game is between the player and the operator. Neither the publisher nor the marketplace has any role in the outcome, and neither of them can settle a dispute about it.
- The freeze applies to everybody equally. A hold is not a suspicion and not a penalty. It is applied to every arriving object, including one moved between two accounts belonging to the same person, which is why a reader who cannot move an object during a hold is experiencing the rule working as designed.
How this differs from the desks next door
Payment rails explains which methods exist and how a payment clears; this page is about a method with no bank in it, where the thing being moved is a consumer object under somebody else’s licence. The play-coin desk explains a balance of coins that is bought and granted inside one closed economy and can never leave; here the balance is made of objects that live outside the product and move between accounts by design. The client-funds desk explains whose money a cash balance is when the operator stops trading; the equivalent question here is different, because the object was never the operator’s to hold.